Earnest in Town

Oscar Wilde’s The Importance of Being Earnest at the Walnut Street Theatre, Philadelphia

With its marble columns and lobby posters of productions past, the Walnut Street Theatre is a venerable venue; and what other theatre can claim that Jefferson and Lafayette attending its opening night performance? [1]

Moreover, within the Walnut’s neo-classic Federal shell there is often the kernel of fine scenic design, tasteful costumes, and knowledgeable subscribers. One wonders, then, why a sledgehammer is usually employed to crack it?

Such had been the case on my recent visits to witness the repertory’s assaults on Agatha Christie and Noel Coward. So it was more with a sense of duty and dread, than enthusiasm, that my band of Philadelphia Wildeans revisited the scene of those crimes to see The Importance of Being Earnest. Would the Wilde play be similarly executed?

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The Judas Kiss

Tom Colley, Charlie Rowe and Rupert Everett in The Judas Kiss. Photo: Cylla von Tiedemann
Tom Colley, Charlie Rowe and Rupert Everett in The Judas Kiss. Photo: Cylla von Tiedemann
Announcement

Join us at the Brooklyn Academy of Music for The Judas Kiss
May 11—Jun 12, 2016

Are you in New York this month?

Why not join the Philadelphia Wildeans who are planning a visit to the Brooklyn Academy of Music (BAM), to see The Judas Kiss, the play starring an acclaimed performance by Rupert Everett as Oscar Wilde.

To get a flavor of the piece visit the BAM blog starting with my guest article here.

We are hoping that all Wildeans can join us to make an occasion of it.

To express interest and availability please email me in the first instance as I am arranging the date, and a possible a group rate and shared transportation.

John Cooper
info@oscarwildeinamerica.org

Guido Ferranti by ?

duschess

A rediscovered letter by Oscar Wilde informs his relationship with anonymity

Wilde’s college exploits, his aesthetic entry into London society, the self-publicity of his American tour, and his rise to fame have all been well documented; and the story often distills to the crucial moment of his fall from grace, a short period in 1895 when fame turned to infamy.

But there is a more enduring, more subtle, and underlying theme that began with Wilde’s desire to be known: it was a journey through his art and life towards an imperative for anonymity.

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A Wilde Winter in Philadelphia

Philadelphia is the place for Wildeans this Winter.

A catalyst and centerpiece of current activity is the Morrison/Cox opera Oscar which had its world premiere in Santa Fe, NM, last year to generally favorable reviews of its singers, orchestra, conductor Evan Rogister, and overall production values. Critics can look forward to an updated libretto for the East Coast premiere.

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