Turning Points

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The Judas Kiss focuses on two crucial moments in Oscar Wilde’s life

I was asked by the Brooklyn Academy of Music (BAM) to provide an article for their blog in anticipation of David Hare’s forthcoming play The Judas Kiss.

It is republished here, slightly amended, followed by a link to a moving article by Ruper Everett on playing Oscar.

The Judas Kiss, coming to the BAM Harvey Theater May 11—Jun 12, marks a historic return of the Irish poet, dramatist, and wit Oscar Wilde. This is not, of course, a return of Wilde the playwright, whose works have been staged several times at BAM over the years. It is a return in the sense of the reappearance of Wilde in person.

This is significant because no one has appeared as Oscar Wilde at BAM since Wilde himself spoke there 134 years ago on a nationwide lecture tour. The performance by Rupert Everett, who plays Wilde, is a fitting parallel because Oscar was also playing a part—masquerading as the poster boy for Gilbert and Sullivan’s Patience, a comic opera poking fun at the aesthetic movement.

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The Judas Kiss

Tom Colley, Charlie Rowe and Rupert Everett in The Judas Kiss. Photo: Cylla von Tiedemann
Tom Colley, Charlie Rowe and Rupert Everett in The Judas Kiss. Photo: Cylla von Tiedemann
Announcement

Join us at the Brooklyn Academy of Music for The Judas Kiss
May 11—Jun 12, 2016

Are you in New York this month?

Why not join the Philadelphia Wildeans who are planning a visit to the Brooklyn Academy of Music (BAM), to see The Judas Kiss, the play starring an acclaimed performance by Rupert Everett as Oscar Wilde.

To get a flavor of the piece visit the BAM blog starting with my guest article here.

We are hoping that all Wildeans can join us to make an occasion of it.

To express interest and availability please email me in the first instance as I am arranging the date, and a possible a group rate and shared transportation.

John Cooper
info@oscarwildeinamerica.org